By Junot Diaz. Riverhead Books (Penguin). Published in 2007.
A number of friends and family members recommend books for me to read. With a few of them I take particular note: this is a good indication that I'm not going to like the book. But one person in my life who recommends a book two to three times a year - and almost always one I am initially suspect of because it is not something I would pick out myself - is my son Merrick.
I never would have read Orson Scott Card (Ender's Game), Haruki Murakami (Hard-Boiled Wonderland and the End of the World) or Yann Martell (Life of Pi - though I probably would have got to that one eventually) - to name just a few.
Honestly, I really wasn't interested in a novel that deals with the political history of the Dominican Republic under the brutal Trujillo regime - I can watch the news if I want to be depressed was my first thought - but Merrick recommended it - and Diaz's first novel did garner a few little awards like the Pulitzer Prize and the National Book Critic's Circle Award. But on the issue of awards, that's not necessarily a dealmaker for me; after all, there's more than a few Oscar-winning movies none of us liked. So it came back to Merrick's recommendation. I ordered it, promptly put it on the stack of books by my bed - where it dropped as low as the bottom third (usually the sure sign it's never going to be opened) - and read other stuff for six months before finally picking Oscar up. Reluctantly. Did I mention this book deals with the political history of the Dominican Republic under the the brutal Trujillo regime - AND includes footnotes with historical context and explanations throughout the novel?
Are you feeling as unenthused about Oscar as I was yet? I can go on!
But what a pleasure The Brief Wondrous Life of Oscar Wao was to read. The jumbled but poetic wordsmything (along with those interesting and slightly disconcerting but somehow fitting footnotes) mark Diaz, the author, as an interesting blend of stream of conscious thought and carefully constructed and intellectual analysis of the world through the eyes of his characters and his out-of-story interjections as self-aware author. (I guess pulling that off is part of the reason he is a professor at MIT. I'm pretty sure he's a very smart guy.) The novel is a subtle and nuanced winding road with an occasional roadblock that delivers a direct, to-the-point, academic, sledge hammer observation on life.
Our hero, Oscar, is born in poverty in the DR - though his grandfather was a wealthy and famous physician in that nation whose unforgivable crime against the state was to hide a beautiful daughter from the lecherous Trujillo - and moves to a rundown, hardscrabble community in New Jersey that is bordered by a dump on one side and a six lane highway on another. There is a fleeting period of Oscar's life when he is the most handsome boy in his neighborhood and school and his mom and great aunt are convinced he is destined to be an international pop star - perhaps as big as Porfirio Rubirosa. But that is a short lived fantasy on their part as Oscar becomes a fat little boy who is the object of ridicule and relentless teasing from classmates. It doesn't help that Oscar's mother is distant and harsh to the point of cruelty - she would probably be reported to health and human services today - with he and his sister. (There's a reason this savage beauty is the way she is that can only be explained by the ravages of the curse described in the next paragraph of this review.) But Oscar is a survivor and escapes into a world of sci-fi and fantasy - he is a bonafide literature and gaming nerd - that allows him to be and dream anything but what he is. Speaking of dreams, Oscar has only two compelling visions in life: first is to become the Domincan version of J.R.R. Tolkien; and second is to find true love, something he he feels he glimpsed in the golden age of his pre-adolescent youth when he seemed to be on his way to becoming the next Pofirio Rubirosa. Oscar writes novels by nightstand light and falls madly in love on a constant basis - always and inevitably to experience the anguish of heartbreak. Sometimes before the object of his affection even knew he was in love with her.
I should have started where the book starts and mentioned that Oscar is primarily about an evil spirit - the Dominican word is fuku - that has cursed Oscar's family from the moment Trujillo (master of or mastered by evil spirits?) heard rumors of the beautiful daughter of Oscar's grandfather. The evil spirit has destroyed or stolen anything good the family has had or might have experienced - from lands and wealth to beauty and health. (Oscar believes the original fuku landed at San Juan with Christopher Columbus: the Ground Zero of the curse.) So Oscar's family's story is that of a precipitous fall from grace to one of dysfunctional but heroic struggle against the weight of a brutal personal history. The ultimate question I got from the book is this: if you are cursed is there any point in fighting it? Isn't that what a curse is - something you can't fight? Or is there something one can do? How does a lost, downtrodden, forgotten, broken family - and a not-so-little boy who suffers from depression and inertia - stand up to all that an evil spirit - one that is still alive in human form through Trujillo's heirs - and all that it can send at them?
On a visit to see family in the DR it is the frightened, cowardly, non-threatening and non-physically-imposing, ostracized, outcast, loner Oscar that dons the armor of a knight from one of his fantasy novels and choose to face and slay the fuku beast on behalf of his family once and for all - and win the heart of his one and only true love while doing it.
Does his story end in the most improbably of victories - like Frodo Baggins in Oscar's author-hero's Lord of the Rings trilogy - or does his family's fuku prevail and claim yet another victim? If you're in the mood to read a book that deals with the political history of the Dominican Republic during the brutal Trujillo reign, you will discover the answer!
Sad. Humorous. Fanciful. Brutal. Optimistic. Fatalistic. Jumbled. Linear. The Brief and Wondrous Life of Oscar Wao has it all.
